I felt this was a really interesting concept and I was drawn to this book by the excellent marketing and cover design, but the plot was let down by a rushed ending and lack of action.
When everyone is watching you can run, but you can’t hide…
2051. Marlow and her mother, Floss, have been handpicked to live their lives on camera, in the closed community of Constellation.
Unlike her mother, who adores the spotlight, Marlow hates having her every move judged by a national audience.
But she isn’t brave enough to escape until she discovers a shattering secret about her birth.
Now she must unravel the truth around her own history in a terrifying race against time…
Okay, the first thing I’m going to say about this, is that I don’t feel the description matches the book very well. I wouldn’t say this is a ‘terrifying race against time’, but more of a deeper investigation into technology and social media as well as the human psyche. I felt a bit let down by this, as I was expecting the ending to be much more explosive than it actually was.
But if we start from the beginning, then it really did show a lot of promise. *Spoiler alert* – this book is not only set in 2051, but also has sections that go back to 2016. This was a great exploration of the vast differences between the different timelines, and the different women at the centre of each timeline. The contrasts are huge – 2016 is the world as we know it today, but 2051 is a reasonably scary place where Marlow is being watched 24/7 by her dedicated followers. It’s a great concept, like a much more extreme version of the tv show Big Brother. Phones have disappeared, to be replaced by ‘devices’ which seem to be implanted in each person and speak to them inside their brain. I liked this element of it as it felt like it could almost be our future.
Orla is the woman based in 2016, and her storyline focused much more on her life than the technology side of it, so I did like this contrast between the two. However, I felt that Orla’s story became quite predictable, and some of the twists weren’t that surprising and I’d figured them out earlier in the book. It felt a little underwhelming because of this.
I wouldn’t have minded the predictability of the book if the ending had been good, but I felt majorly let down. It was nowhere near as tense as I thought it would be – maybe that’s because I was hoping for some sort of revolution, when it was actually much more personal and centred about Marlow and Orla’s lives. Another thing I didn’t like is that the ending went on a fast-forward, and sped through what would happen to Marlow and Orla over the next few years, which felt like a weird attempt at a happy-ever-after in a book that wasn’t suited to that kind of ending at all.
I feel sad that this book wasn’t what I thought it would be, but that doesn’t mean I hated the entire thing. I liked the exploration of Marlow and Orla’s lives and personalities, and thought the technology aspect was well thought-out and described as well. I just didn’t like the ending, and felt that the pace of action was slow throughout and then sped up bizarrely at the end.
HQ, 9th January 2020